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<channel>
	<title>langfjord</title>
	<link>https://linnealangfjordkristensen.com</link>
	<description>langfjord</description>
	<pubDate>Sun, 23 Jun 2024 08:02:10 +0000</pubDate>
	<generator>https://linnealangfjordkristensen.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Blomster og Svin</title>
				
		<link>http://linnealangfjordkristensen.com/Blomster-og-Svin</link>

		<comments></comments>

		<pubDate>Sun, 23 Jun 2024 08:02:10 +0000</pubDate>

		<dc:creator>langfjord</dc:creator>
		
		<category><![CDATA[]]></category>

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		<description>Blomster og Svin
	PerformanceVelkommen til Gruppe (C)cyklus! Verdens mest succesfulde kunstnergruppe. Året er 2024 og Gruppe C er blevet succesfulde i et samfund hvor der er generel konsensus om, at måden man bliver succesfuld på er ved at være omsorgsfuld, langsom og bæredygtig. Det er der pengene er. Det er hvad regeringen og fondene støtter. Gruppe C tager os med på en rejse gennem 00’ernes tech buzzwords “hustle culture, 24/7 work, progress og endless growth” samt hvordan disse, i denne alternative virkelighed, blev erstattet af deres modsætninger “omsorgsfuld, langsom, bæredygtig og balanceret” - fordi man trods alt mente, at de konsekvenser de originale buzzwords havde på miljøet og folks helbred var for store. Men hvem er bedst til omsorg? Hvem er mest langsom? Hvad sker der, hvis omsorg bliver et aktiv man kan handle med? Er det noget man kan udkonkurrere hinanden i ved at spare ressourcer andre steder, og blot plagiere andres tanker og værker så alt er kopier af kopier af kopier?
‘Linnea er den mest interessante unge scenekunstner i Danmark lige nu’ - Ellen Friis, Live Art Danmark&#38;nbsp;
	&#60;img width="1368" height="912" width_o="1368" height_o="912" src_o="https://cortex.persona.co/t/original/i/471b4d4b81136267ed82b2ed8b41d13d3acc9a17d1f9786d8895d40ac06301f8/BS5.jpg" data-mid="1369055" border="0" /&#62;&#60;img width="2881" height="1900" width_o="2881" height_o="1900" src_o="https://cortex.persona.co/t/original/i/22e4f6e0087c1950e0d4ad80d959937b2deb505154b6b5e9f0dcd31ff0a22f1d/BS2.jpg" data-mid="1369056" border="0" /&#62;
&#60;img width="1120" height="1437" width_o="1120" height_o="1437" src_o="https://cortex.persona.co/t/original/i/b48c3f04afcca2729daad471b399bac1bf770b239c2cc388e50279ec42edab3f/BS6-vertikal.jpg" data-mid="1369057" border="0" /&#62;


	&#60;img width="3024" height="4032" width_o="3024" height_o="4032" src_o="https://cortex.persona.co/t/original/i/9d614ab9738c47dc14b4d21d2d0a536155afec6707b1fefd0c46373af11a3840/IMG_9143_jpg.jpg" data-mid="1369058" border="0" /&#62;
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</description>
		
		<excerpt>Blomster og Svin 	PerformanceVelkommen til Gruppe (C)cyklus! Verdens mest succesfulde kunstnergruppe. Året er 2024 og Gruppe C er blevet succesfulde i et samfund...</excerpt>

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	<item>
		<title>MVP</title>
				
		<link>http://linnealangfjordkristensen.com/MVP</link>

		<comments></comments>

		<pubDate>Wed, 15 May 2024 18:23:52 +0000</pubDate>

		<dc:creator>langfjord</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">453000</guid>

		<description>MVP (Minimum Viable Product)
	Trailer for performance that doesn’t exist
	

</description>
		
		<excerpt>MVP (Minimum Viable Product) 	Trailer for performance that doesn’t exist</excerpt>

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	</item>
		
		
	<item>
		<title>Temporary message</title>
				
		<link>http://linnealangfjordkristensen.com/Temporary-message</link>

		<comments></comments>

		<pubDate>Wed, 04 Oct 2023 05:15:26 +0000</pubDate>

		<dc:creator>langfjord</dc:creator>
		
		<category><![CDATA[]]></category>

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		<description>
	Linnea Langfjord Kristensen
Unfortunately someone has been stealing my work. Until I find a solution to this, my website is not accessible to the public. If you want to see my work or need more information, please contact me on: linnea.lk@gmail.com
CV
</description>
		
		<excerpt>Linnea Langfjord Kristensen Unfortunately someone has been stealing my work. Until I find a solution to this, my website is not accessible to the public. If you...</excerpt>

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	</item>
		
		
	<item>
		<title>Potential, Progress, Reflection, Absorb and Destroy</title>
				
		<link>http://linnealangfjordkristensen.com/Potential-Progress-Reflection-Absorb-and-Destroy</link>

		<comments></comments>

		<pubDate>Fri, 29 Sep 2023 05:41:05 +0000</pubDate>

		<dc:creator>langfjord</dc:creator>
		
		<category><![CDATA[]]></category>

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		<description>
	No matter what I uploaded as #2, the site showed an error when clicking on the uploaded file afterwards, so I’m attaching here as a web link as well just in case.

&#60;img width="2480" height="3508" width_o="2480" height_o="3508" src_o="https://cortex.persona.co/t/original/i/ce9cad30c0900062f74e73c777c7a05851038bc108a860742d9b7a221abb9d25/2.jpg" data-mid="1319652" border="0" /&#62;
</description>
		
		<excerpt>No matter what I uploaded as #2, the site showed an error when clicking on the uploaded file afterwards, so I’m attaching here as a web link as well just in...</excerpt>

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	</item>
		
		
	<item>
		<title>For the Dial Beckons</title>
				
		<link>http://linnealangfjordkristensen.com/For-the-Dial-Beckons</link>

		<comments></comments>

		<pubDate>Tue, 23 May 2023 09:12:55 +0000</pubDate>

		<dc:creator>langfjord</dc:creator>
		
		<category><![CDATA[]]></category>

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		<description>
	FOR THE DIAL BECKONS



	A performance for videoFor the Dial Beckons is a poetic and humorous performance film that, with a critical perspective, seeks to uncover some of the social and institutional norms and values that shape our understanding of the successful and productive individual. The performance deals both with the larger power structures that promote an endless hunt of success (and achieving this success as quickly as possible), but also with what it means when we are no longer productive individuals.

	

&#60;img width="4096" height="2160" width_o="4096" height_o="2160" src_o="https://cortex.persona.co/t/original/i/4e55b05a3f4a4f2527b1c2472be0dbefa83f5c1fb3dae4ba1d36ddcf0908e697/Sequence-010.jpg" data-mid="1289057" border="0" /&#62;&#60;img width="4096" height="2160" width_o="4096" height_o="2160" src_o="https://cortex.persona.co/t/original/i/169ddd2711d0319cfa59f91a1c8d6a2908aec5719d584de9ceba5b89582b22b0/Sequence-020.jpg" data-mid="1289058" border="0" /&#62;


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&#60;img width="4096" height="2158" width_o="4096" height_o="2158" src_o="https://cortex.persona.co/t/original/i/e125648a8c0cf50d55aeac7e93b0073d8aafbcb46c5517d85e12f02eb403a156/3-Potential.jpg" data-mid="1289056" border="0" /&#62;&#60;img width="4096" height="2160" width_o="4096" height_o="2160" src_o="https://cortex.persona.co/t/original/i/ccf8679f8624199496788ca00e363da91b77f1be16ff8b67e3a2ac7b1d4fb2dd/Sequence-150.jpg" data-mid="1289062" border="0" /&#62;

	&#60;img width="4096" height="2160" width_o="4096" height_o="2160" src_o="https://cortex.persona.co/t/original/i/d35c1f759794915d1b70e8ab972b94b18bb5d03e348f89be18d83cc6ba5a434d/Sequence-090.jpg" data-mid="1289059" border="0" /&#62;
&#60;img width="4096" height="2160" width_o="4096" height_o="2160" src_o="https://cortex.persona.co/t/original/i/f2408147567e1edb6a1956a01df2011a7d66bf7fbff5d0e9f670f8db02a69080/Sequence-140.jpg" data-mid="1289063" border="0" /&#62;
&#60;img width="4096" height="2160" width_o="4096" height_o="2160" src_o="https://cortex.persona.co/t/original/i/34c8142fc1a833ae7088acf695c8ce3594d90eb2a9adffeb4a265b7a7b9e7752/Sequence-130.jpg" data-mid="1289064" border="0" /&#62;



	
	&#60;img width="1772" height="1772" width_o="1772" height_o="1772" src_o="https://cortex.persona.co/t/original/i/61a1239c68d630c1f7357e4fdf8648687617b60f5898c26f88322f8a113a1d98/back.png" data-mid="1289066" border="0" data-scale="75"/&#62;
	
</description>
		
		<excerpt>FOR THE DIAL BECKONS    	A performance for videoFor the Dial Beckons is a poetic and humorous performance film that, with a critical perspective, seeks to uncover...</excerpt>

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	</item>
		
		
	<item>
		<title>The Real</title>
				
		<link>http://linnealangfjordkristensen.com/The-Real</link>

		<comments></comments>

		<pubDate>Mon, 31 Oct 2022 18:22:40 +0000</pubDate>

		<dc:creator>langfjord</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">432803</guid>

		<description>
The Real



	A play 
















“The Real is grimly
effective in capturing the feel of a humanity that refuses to slow down and
think”.&#38;nbsp;
 
“Subtle and touching”.




 
Why can’t Drew remember anything or keep a straight thought for long periods of time, and instead has resorted to folding cabbages from paper? Why won’t Henriette eat?&#38;nbsp;Everyone always told Tom that he was destined to become a famous writer, so does it matter that the stories he writes harm the people around him?&#38;nbsp;The mother Meg yearns to become independent, but what exactly happened to her daughter? and why is she never there?&#38;nbsp;Always watching and dictating is the Child, forcing everyone to keep busy, reach their full potential and strive to be real people – Otherwise they will be punished. 


Set in a heightened version of today’s world, The Real is a tragicomic story about four people who try to understand what it means to be real when reality itself is a representation.

 When their dreams, desires, constant self-improvement, and even choices are hardwired into them by an overly friendly, Big Brother - like society.

"This is not a simple critique of capitalism, but a complex charisma critique - and the play is propelled by real pain, finely polished characters, and lines, flexibly weaving themselves through clever, quick sprints" - Weekendavisen, Denmark, 2021.



To read more about the production, head to The Cockpit’s website


The Real at The Cockpit was Directed by&#38;nbsp;Alan Fielden and performed by Drew Sheridan-Wheeler, Lucy Spreckley, Henriette Laursen, Tom Cray and Meg Lake, with sound design by Jamie Maule.

Listen to the sound design here
	&#60;img width="4816" height="3260" width_o="4816" height_o="3260" src_o="https://cortex.persona.co/t/original/i/2d1e11fcc352c6263ea377d3a3b06340a9255b54c358c9073141eadc9aec9025/The-Real.jpg" data-mid="1236303" border="0" /&#62;

&#60;img width="2880" height="1600" width_o="2880" height_o="1600" src_o="https://cortex.persona.co/t/original/i/456e01c8f8ac784d7e109634149593d103343e5bc67d02808cccfaa42940b1ab/Child--Meg-1.jpg" data-mid="1236304" border="0" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" src_o="https://cortex.persona.co/t/original/i/a1c4128cc099b81b7bd7115197d100bd26452d23d3e9712bfc6e5a4a1f6dc8b4/IMG_0274.jpeg" data-mid="1236306" border="0" /&#62;
&#60;img width="1282" height="722" width_o="1282" height_o="722" src_o="https://cortex.persona.co/t/original/i/ad5f7ed3c2bc3a8acbadb9310ce7603c203ed598cb3aed2f7057f5649a2012ad/Henriette.jpg" data-mid="1236307" border="0" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" src_o="https://cortex.persona.co/t/original/i/97a37b8a523833a6c4da00cae150a1b1e85d202a4853c4ff2598121627c95687/Drew.png" data-mid="1237040" border="0" /&#62;&#60;img width="1282" height="722" width_o="1282" height_o="722" src_o="https://cortex.persona.co/t/original/i/82fba17994a38868f30b95119db2769e7209b901445fd05eb6be6f08168601ba/Tom.jpg" data-mid="1237039" border="0" data-scale="100"/&#62;



	
	&#60;img width="1772" height="1772" width_o="1772" height_o="1772" src_o="https://cortex.persona.co/t/original/i/b319d4f84b3b7acf43448867be673c38babf844acd530aa18f8e75fbf162d790/back.png" data-mid="1236308" border="0" data-scale="70"/&#62;
	
</description>
		
		<excerpt>The Real    	A play                  “The Real is grimly effective in capturing the feel of a humanity that refuses to slow down and think”.&#38;nbsp;   “Subtle...</excerpt>

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	</item>
		
		
	<item>
		<title>ROI</title>
				
		<link>http://linnealangfjordkristensen.com/ROI</link>

		<comments></comments>

		<pubDate>Tue, 10 May 2022 06:20:24 +0000</pubDate>

		<dc:creator>langfjord</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">424171</guid>

		<description>
	ROI (Return On Investment)



	
Performance Trailers






















3 channel video installation, sound, performance.



 
ROI consists of 3 trailers for
performances that do not exist. The project reflects on a world where the
curated documentation and marketing of most things, e.g., the Self, works and
products, often seem more important than the actual existence of those things.

The project investigates whether the marketing of the art and the self, and the
subsequent digital consumption, is more important to their potential success
than 
their actual existence? 
This takes a somewhat cynical view
that art (the product), or Self, is not needed in order to document it and make
it exist.
 







	
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" src_o="https://cortex.persona.co/t/original/i/0c791f97c5e4e6275d8068a3d927499f999b849c7971e3912cbf2c091c06b05f/1_Invisible.jpg" data-mid="1189644" border="0" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" src_o="https://cortex.persona.co/t/original/i/014d2a1646df41f9c6c7163c146b3d3e7efade74e0d96d355b276092f8f9484b/2_Invisible.jpg" data-mid="1189643" border="0" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" src_o="https://cortex.persona.co/t/original/i/46ab14c7bc92c56461cbfaee409a7051223385c4a2dadc5d122af9af4666da07/3_Invisible.jpg" data-mid="1189645" border="0" /&#62;



	&#60;img width="1920" height="1080" width_o="1920" height_o="1080" src_o="https://cortex.persona.co/t/original/i/492e927bdf0b12f540e8195f9b4e2ab18fb66f669678dc3ba66e9932ecdfd233/1_Storage0.jpg" data-mid="1189646" border="0" data-scale="72"/&#62;&#60;img width="3267" height="1837" width_o="3267" height_o="1837" src_o="https://cortex.persona.co/t/original/i/374a9e9608628b92ce6db5b1bab66feeb142740c8dea09c17b289377ee62c8e8/3_ROI.jpg" data-mid="1189647" border="0" data-scale="72"/&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" src_o="https://cortex.persona.co/t/original/i/9b0ea7331b72511060691b154ba1837fa5946a4ee964362d0740e02312d7386a/2_Storage.jpg" data-mid="1189648" border="0" data-scale="72"/&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" src_o="https://cortex.persona.co/t/original/i/83f0058056bc783be4b8f606b0affec8cf46da7723fb1d4730e646a0f11e82d5/1_Title.jpg" data-mid="1189649" border="0" data-scale="72"/&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" src_o="https://cortex.persona.co/t/original/i/2724d81e7479386197e7fbb7e03e1247274527c20cc32b7c8ff78d0dbf309eee/2_Bubble.jpg" data-mid="1189650" border="0" data-scale="72"/&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" src_o="https://cortex.persona.co/t/original/i/977ac8dda601cb715a48985113809a47ffa021c6655671759f9a84ccb41bbfc1/3_Bubble.jpg" data-mid="1189651" border="0" data-scale="72"/&#62;



	
	&#60;img width="1772" height="1772" width_o="1772" height_o="1772" src_o="https://cortex.persona.co/t/original/i/da41ead212fb1dd0642b0f6efbea6e44f4e3078c898c2befa96ad075889c1586/back.png" data-mid="1189652" border="0" data-scale="75"/&#62;
	
</description>
		
		<excerpt>ROI (Return On Investment)    	 Performance Trailers                       3 channel video installation, sound, performance.      ROI consists of 3 trailers for...</excerpt>

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	</item>
		
		
	<item>
		<title>Is it really ever really really really real</title>
				
		<link>http://linnealangfjordkristensen.com/Is-it-really-ever-really-really-really-real</link>

		<comments></comments>

		<pubDate>Thu, 20 May 2021 05:51:07 +0000</pubDate>

		<dc:creator>langfjord</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">405734</guid>

		<description>

					    			Is it really ever really really reall real? Really.


	Theatre - Live Digital


Co-directed by Tom SergeantPerformed by Raphael Von Blumenthal, Leila Vega Fass, Henriette Laursen, Leo Graham and Meg Lake.

This play investigates the division between real, reality and representation in everyday life. It is concerned with the prevailing understanding of what it means to be a successful human being in our culture and the negative consequences the ways we measure this success has on people’s mental health. This understanding of success is intrinsically intertwined with the idea of being independent and becoming ‘your real, authentic self’. 
With this work I hope to make an audience reconsider what we all do on a day to day basis to become successful and whether what we want in life is actually produced by ourselves or dominating structures in society which benefits from our quest to reach these. Are our wants in life ‘real’ or are they representations of the dominating structures of the society in which we live? And how does this affect people’s mental wellbeing?
The play further asks if there even is a division between real and representation and, if yes, where is that division drawn? To explore this, the play involves the actors switching between scripted material, improvisation and their own personal stories. Though, is an anticipated improvisation any more real than the scripted? Is a rehearsed, personal story not a representation? What is personal (in the sense of coming from within a person) and what are just internalised beliefs coming from somewhere else?
Set in a heightened version of today’s world, 3 people in their 20’s/30’s and 1 mother in her 50’s explore what it means to be real when reality itself is a representation. Some interrogate the role of language while others question the reality of their own bodies or thoughts. Always watching and dictating is the 10 year old Child who is forcing everyone to keep busy, reach their full potential and strive to be real people. Otherwise they will be fined.




	
&#60;img width="3444" height="2014" width_o="3444" height_o="2014" src_o="https://cortex.persona.co/t/original/i/6dd075a90ded05007c8fcce6a7d38e2022016d66cf7d08ed4faba02df0122178/High_res1_small.jpg" data-mid="1090207" border="0" /&#62;
&#60;img width="2363" height="986" width_o="2363" height_o="986" src_o="https://cortex.persona.co/t/original/i/25b47a083dfd25956bdfa1dc15c8a630222aac9f44e70fb2b7034a224455402d/Isitreallyever_LinneaLK1.jpg" data-mid="1090208" border="0" /&#62;



	
	
March 19, 2021, Review in Weekendavisen of the digital live performance at Theatre Faar302, Copenhagen, Denmark


"Zoom theatre sounds dystopian, but in Linnea Langfjord's production the dystopia is exquisite. Teater Får302 presents the play "Is it really ever really really really real? Really?" which is less redundant and more innovative than its title. Five actors in their own Zoom-rectangles whip up a world which looks like a version of our own, if all Svend Brinkmann's nightmares had come true.
It is all about being successful, reaching your full potential, personal achievements and to be a real and authentic human being in a dark, quantifiable way. To become real in the middle of an unreal, tensely smiling society.
Raphael has purposely lost his memory and ability to think coherently and instead folds cabbages from paper. Henriette meets the world with an angry, queen-like demeanour and tries to avoid the fines which a friendly, Big Brother like society issues to Citizens who are not busy enough improving themselves. This is not a simple critique of capitalism, but a complex charisma critique - and the play is propelled by real pain, finely polished characters and lines, flexibly weaving themselves through clever, quick sprints.
There is a young, contemporary Tony Kushner to Linnea Langfjord, who effortlessly mixes intellectualism, tragi-comic social analysis, intimate social life and disturbing realisme in a bright, well laid out doomsday story".






	&#60;img width="1535" height="2126" width_o="1535" height_o="2126" src_o="https://cortex.persona.co/t/original/i/d7cd79b4583fc9e01708dc88a3eb1de0cd4c2103886984474f878f33f755ee07/World.jpg" data-mid="1090220" border="0" /&#62;
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	&#60;img width="2000" height="1560" width_o="2000" height_o="1560" src_o="https://cortex.persona.co/t/original/i/83e00b9b49711c9859bca28a4352545a12c6c36d45825ed5549cb8d740384027/MC2000.jpg" data-mid="1090224" border="0" data-scale="99"/&#62;&#60;img width="4544" height="2544" width_o="4544" height_o="2544" src_o="https://cortex.persona.co/t/original/i/a11d34b0e60af25e57b10a7a86e885cba0620aab18ba1fbcd7cc2ef69d72abb4/x300.jpg" data-mid="1090226" border="0" data-scale="99"/&#62;

	
	

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</description>
		
		<excerpt>Is it really ever really really reall real? Really.   	Theatre - Live Digital   Co-directed by Tom SergeantPerformed by Raphael Von Blumenthal, Leila...</excerpt>

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	<item>
		<title>A safe storage for future needed actions</title>
				
		<link>http://linnealangfjordkristensen.com/A-safe-storage-for-future-needed-actions</link>

		<comments></comments>

		<pubDate>Tue, 24 Nov 2020 08:14:09 +0000</pubDate>

		<dc:creator>langfjord</dc:creator>
		
		<category><![CDATA[]]></category>

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		<description>
	A safe storage for future needed actions



	An offer to ING Bank
How do you measure the value of an action? Can the value of an action grow when stored?&#38;nbsp;
In 2017 I offered myself as a safe storage for future needed actions to employees at ING Bank. Since then they have been contacting me to store actions for the future. They can contact me at any point to have the action released, sold or invested.


	&#60;img width="1407" height="780" width_o="1407" height_o="780" src_o="https://cortex.persona.co/t/original/i/7e0e209e2a9657cab3c577c03eb2e7adb91fe301b043f9aa0317b99f79f618c8/safe-storage.jpg" data-mid="1013691" border="0" /&#62;

	
	&#60;img width="1772" height="1772" width_o="1772" height_o="1772" src_o="https://cortex.persona.co/t/original/i/9fedfca647d3da298991d1f49e98796b188a541b3ef4afd9d2bddd120a940018/back.png" data-mid="1013692" border="0" data-scale="75"/&#62;
	

</description>
		
		<excerpt>A safe storage for future needed actions    	An offer to ING Bank How do you measure the value of an action? Can the value of an action grow when stored?&#38;nbsp; In...</excerpt>

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	<item>
		<title>4 movements of soup</title>
				
		<link>http://linnealangfjordkristensen.com/4-movements-of-soup</link>

		<comments></comments>

		<pubDate>Tue, 24 Nov 2020 08:00:24 +0000</pubDate>

		<dc:creator>langfjord</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">391224</guid>

		<description>
	4 movements of soup



	

'4 movements of soup' is a performance for two people who have never met before in a language without any word-meaning. They communicate via a score made up of arbitrary symbols (which are variations of a standard rectangle) that have each been given a sound. As the performance progresses they get to know each other solely by intonation and body language in front of an audience who reads meaning into everything they do. As they perform they are continuously interrupted by the sound of someone making soup.&#38;nbsp;12 people currently speak the "language".‘4 movements of soup’ is also act 4 in A Sound Play/A Play on Sounds. Something familiar, fill me up. &#38;nbsp;

&#60;img width="2064" height="3192" width_o="2064" height_o="3192" src_o="https://cortex.persona.co/t/original/i/60e254c9a7deb0d6376f1f3b462f8ed7854e07497b16dc71e233089d9048eb2a/IMG-0377.JPG" data-mid="1013684" border="0" /&#62;


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</description>
		
		<excerpt>4 movements of soup    	  '4 movements of soup' is a performance for two people who have never met before in a language without any word-meaning. They communicate...</excerpt>

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